2016年5月31日星期二

Reflection





Overall, I am satisfied with my chosen object relating to architecture and my interdisciplinary skin. This two projects’ processes are tough and enjoyable, especially for the second project, we meet the problem on metal shaping and solve it and experiment together. This process shows the importance of the communication for project, everybody improved through the conversation and learn something from others. After that, you take your time to absorb the ideas and experience from other people and develop your own working system.

It was my first time to shape aluminium skin on my life, the experience is wonderful. I want to say this is not a process to make a project, but actually a period to understand one material. The metal, the aluminium is a really strange material, it will shrink, stretch, deform, and crinkle. Sometimes you need to hit hard to get the shape, but sometimes you have to tap gently to refine and smooth the skin. 

My grandpa taught me wood carving few years ago, I quite familiar with wood, especially the box wood. Compare wood carving and metal shaping, in my opinion, wood is more like human body, it is solid, strong , like mountain and earth; aluminium is like cloth and silk, more light and dynamic, sometimes unstable. But for any material, like timber, metal, glass, ceramic, clay, they have their own characteristics and we need long time to understand them. 

As an architect, materiality is the key element to our architecture. Without material, architecture will no more exist. You may say the space can be empty, but actually air also is the material, just invisible, but still give different feelings, warm or cold. On Peter Zumthor’s  <atmosphere>, he said materiality will change the atmosphere, in same space, timber will warm you and steel would make you feel chilled.  Although different materials have different quality, but for us , we can treat them gently, explore their potential, use them differently to refine our architecture detail and space quality. 

Now , ETH  erects sandstone vault at Venice Biennale, it is a large vault, same like our project, it has template as a base and use stone and cement as the skin, it is quite interesting to see different materials on one process, this can be a case to study. 


                                           the work comprises 399 individually cut stones, unreinforced and without mortar image © ETH zürich


                                           the work comprises 399 individually cut stones, unreinforced and without mortar image © ETH zürich




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